VENOM: LET THERE BE CARNAGE was quite fun. I enjoyed the banter between the alien symbiote Venom and his host Eddie Brock (Tom Hardy). More than what I remember in the 2018 prequel (VENOM), Eddie’s symbiote endearingly expresses vulnerability and warmth next to his usual savagery. I laughed out loud fairly often, such as when Venom enters a night club where all the patrons are in costumes. There, he grabs the mic from the singer onstage and encourages everyone to be who they truly are. For once, he fits right in and is a big hit with the crowd.

The special effects are decent and playfully fantastical. The age-old concept of a person coming to better terms with an inner voice and energy that’s more impulsive, wild, and uninhibited than how they outwardly identify as being is humorously played out here. We all have our shadow sides.

The villains are competent enough, but barely worth mentioning. Ultimately, fighting fire with fire is the premise here, for Venom has to battle a red symbiote, Carnage, arising from his own blood. Darkness, like light, exists on a spectrum of intensity. Carnage, inhabiting a serial killer (Woody Harrelson), embodies pure chaotic evil while Venom is, well, like an intelligent wild carnivore steadily evolving with the help of his sympathetic human host.

I would rate this production a close second in quality to the first VENOM movie. It helps that the running time is just a little over 90 minutes, short and intense like a roller coaster ride. These two films are dark, guilty pleasure fun, the violence appearing quite theatrical, quick, and unrealistic. Some people, such as myself, enjoy this twisted fantasy cinema that cleverly balances gritty yet colorful darkness with much levity, including a good dose of camp. You fellow aficionados/appreciators of this high trash know who you are.

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