I’ve been watching documentaries lately– three within this past week. The one that stands out for me the most is the fascinating MAPPLETHORPE: LOOK AT THE PICTURES, from 2016. The title is wittily taken from a statement made in the U.S. Senate by the late, ultra conservative Senator Jesse Helms. He pushed to ban the artist’s work from being shown in a museum in DC in 1989, shortly after the famous photographer’s death at aged 42.
Having long enjoyed Robert Mapplethorpe’s skillful, thought-provoking, sensual, and sometimes disturbing photography, the narrative of his life from a Catholic-raised suburban, middle class gay boy to controversial New York City-based avant garde artist of the late 1960s through the ’80s was deeply compelling to me. The visual exploration of gender and race of his human subjects was both playful and venerating. Even this creative master’s photographs of flowers come across as powerfully erotic and beautiful.
For the general public, Mapplethorpe courageously threw open a window into an existing urban gay subculture. By extension, I think this helped force people to acknowledge and grapple with the very real sexuality of queer people in general. And while I wouldn’t have wanted to live his intense life of self destruction and enormous creativity, I very much appreciate the legacy of work and cultural expansion this talented artist left behind.